3.2 - Notes on Networks or Information

In the ilecture this week Dr Tama Leaver discussed the evolution of blogs, stemming from the creation of blogging software (such as the one I’m using Blogger.com) that made publishing on the net accessible to the average web surfer. In terms of news, Leaver states that the amalgamation of media companies in the past means that the majority news corporations are owned by a small few, and as such the content they publish is viewed by the general public with a sense of skepticism (Leaver 2011). Therefore news blogs have become a popular part of today’s media landscape, as a way for people to seek differing points of view, or to read or add opinions about news items. As discussed in the readings for this week, Blogs too have issues with credibility.

Reading 1: Blogs of War by Melissa Wall gave an overview of the history of Journalism including those who create news-based weblogs. War believes that blogs offer society a new form of Journalism that is forms a symbiotic relationship with traditional media sources. As Wall states “news blogs typically don’t generate original content but rely on other sources for their links as inspiration for commentary”(Wall 2005 p. 156) meaning that blogs rarely uncover new news items but do critique, comment on, offer opinion and new information to news items  from existing sources such as a traditional newspapers. Wall states that while although bloggers are not journalists in the traditional meaning of the word, they do gain credibility by providing links to their sources of information, and through their more personalised, opinionated writing style.

Reading 2: The Mobile Phone and the Public Sphere by Janey Gordon looked at how mobile phones are used to report news and circulate information focusing on the relationship between citizen journalists and the gatekeepers of information. Gordon's research into the reporting of the SARs epidemic in China found that despite the general public having access to the technology to broadcast news to the world , the exchange of information can be controlled by governments via laws and firewalls the prevent information getting through. Her  research into the London bombings found that citizen journalism by victims and witnesses supported the traditional news institutions by operating as an source of information and images that they then used as a part of their coverage (Gordon 2007).

A ted talk on the creation of wikipedia by Jimmy Wales discussed the virtues of collective intelligence through his creation of a free encyclopedia of which content is added to entirely by volunteers. Wales has managed to harness the peoples desire to participate in the way history his told. His talk revealed that there are gatekeepers within wikipedia, volunteers who vote, administrators that hold more wight than voters and himself, the “monarch” who makes the rules. Although Wall states the information on wikipedia is a credible and reliable source he encourages people to test it for Quality assurance.

The task this week was to note the blogs I visit and what attracts me to them, I read a lot of trade blogs but no news blogs so decided instead to take a look at one news items across multiple platforms – blogs owned by newspapers, a weblog about news and wikipedia to see which one I found more credible. The news item I chose was the News of the World Phone Hacking Scandal which I found interesting as it questions the ethical collection of information by large media corporations in order to sell news as a commodity.

The Daily Telegraph:

Searches on this site brought denied access to articles with headlines that looked to have the potential to shine the Murdoch's in a poor light such as Murdoch accused of false blame shifting. The first news article I could actually access was entitled James Murdoch denies knowledge of hacking . While the author does acknowledge that the article was written for a paper that is owned by the same parent company involved in the scandal, to me it is not a credible news source. A news company embroiled in legal scandal over ethical reporting is not the one I turn to for the facts.

 

ABC NEWS:

This is a source I feel I can trust, mainly because it is government owned although I am now a questioning my judgment as isn't the role of journalists to report on the running of government? How does this work when it is owned by government? Anyway in regards to the phone hacking scandal, the ABC uploaded a short clip from a news bulletin called “A quick guide to thephone hackingscandal”. This clip reminds me of educational lectures from university which is perhaps why I trust it and proves Walls theory of credibility through the style in which information is presented. I feel as I have been educated after watching this, not as if I have had the wool pulled over my eyes.

 

LSE Blog:

Well I think Ive just found a blog to read that discusses news topics. LSE is the The London School of Economics and Political Science and I think proves that not all blogs are uneducated one sided drivel. The post entitled Phone-hacking and press reforms: British journalism needs anew sense of ethics but politicians should not be allowed to move the goalposts stands back from the sensationalist headlines and places the phone hacking scandal in the context of politics and law to reveal more sides to the story. I like the wider angle view point and the idea that the information presented is not done so as part of a mud slinging match between news corporation and news corporation. Hyperlinks is what gives this story credibility as I can access the writers (Charlie Beckett) biography, other blogs, books etc which brings as sense of trust due to his willingness to be accountable for the information presented, and not posting anonymously.

 

Wikipedia:

There is a lot of information in the wiki post called News International Phone Hacking Scandal, and to be honest too much to read. I tend to follow up on information presented on Wikipedia, it could be credible but as there is no one person accountable, I find it good to check the facts they present. For this news story alone it is a great resource to find articles about the phone hacking scandal (there are 288 references at this point in time) and it is great having links to all people involved, but in my mind is not credible information on its own.

 

Gordon, J. 2007. The Mobile Phone and the Public Sphere. Convergence: The International Journal of Research into New Media Technologies 13 (3): 307-319. http://cvg.sagepub.com (accessed 9/11/11).

Leaver, D. T. 2011. Networks of Information: Blogging, citizen Journalism & collective intelligence. Curtin University of Technology.

Wall, M. 2005. Blogs of war: Weblogs as news. Journalism 6 (2): 153 - 172. http://jou.sagepub.com.dbgw.lis.curtin.edu.au/content/6/2/153.full.pdf+html (accessed 8/11/11).

ASSMT 1: 2.5 Notes on games, ARGs and digital commons

The topic of Alternate Reality Games (ARGs) was an interesting one this week that I think fits well with my remediation project and essay. Although I have chosen to remediate and write an essay about the sub plot of a television series - the way in which the characters story intertwines with real life scenarios is similar to the way in which ARGs are operate.

Örnebring states: "Alternate Reality Games (ARGs) are a form of internet-based mystery game in which participants are immersed in a fictional world and engage in collective problem-solving" (Örnebring 2007 p. 445).

And they work by:

  "Events and things mentioned in the episodes of the TV series itself will also provide clues. Bit by bit, these clues form a separate narrative set in the fictional world" (Örnebring 2007 p. 446).

In the TV show Gavin and Stacey - Nessa's back story is never fully told and she remains somewhat of a mystery. A series of clues are dropped by Nessa in her stories that reflect upon past conquests involving famous people from the real world. If viewers choose to investigate these clues they will find that these stories not only reference real life people but also real life scenarios that have been reported in the press. Nessa turns out to be someone that has escaped the limelight while being involved in a great deal of scandal.

Therefore the TV show follows a similar line to ARGs in that:

• A mystery is created
• Clues are given
• Clues can be investigated by audiences
• Clues link to real world people and scenarios through press reports

My remediation project sets out to join these clues together through a blog that presents Nessa as if she is a real life person and further the idea that the stories are true. Unlike a game there is no puzzle solving winning at the end, it is merely a site for investigating clues and filling in the back story - a kind of virtual reality blog based on a virtual reality storyline in a TV show.

In this regard my blog could be seen as an example cultural labor  described by Fiske and quoted by  Örnebring as " ‘filling in the syntagmatic gaps in the original narrative’ (Örnebring 2007 p. 451 quoting Fiske, 1992). In other words the blog pieces together a back story that enriches the characters in TV show. Örnebring believes that this type of culture labor supports marketing for television shows (as does other fan created content) - as it stays within the storyline and concept of the show rather than changing it, and disseminates to a wider audience

This same idea was covered in our second reading about Digital Commons - especially in the sections about mods which are fan produced modifications for games. The point was made here too that modders stick to the boundaries of the originating text source as per the following quote:

"most mods are thematically conservative, undertaken by technically accomplished fans who love a particular game and want more of it – more weapons and monstrous opponents for shooters, different campaigns and battles for war games – in variants that don’t stray far from the spirit of the original" (Coleman and Dyer-Witheford 2007).

Both readings link fan culture, virtual reality and media institutions all of which relate to my remediation project. As the blog is aimed at fans and new watchers of the show Gavin and Stacey -  this topic would be good to cover in my essay.

Coleman, S., and N. Dyer-Witheford. 2007. Playing on the digital commons: collectivities, capital and contestation in videogame culture. Media Culture Society 29:  Sage publications. http://mcs.sagepub.com/content/29/6/934 (accessed 26/10/11).

Örnebring, H. 2007. Alternate reality gaming and convergence culture. International Journal of Cultural Studies 10: 445 - 462. Sage Publications. http://ics.sagepub.com/content/10/4/445 (accessed 20/10/11).

ASSMNT 1 2.3: Audience and Context of Remediation Project

I have been thinking about this weeks readings Pop Cosmopolitanism: Mapping Cultural Flows in an Age of Media Convergence, Fans bloggers and gamers: exploring participatory culture and Indigenous, ethnic and cultural articulations of new media in terms of my remediation project. The TV series Gavin and Stacey was created in the UK for a UK audience so what is it about the show that had drawn me – an Australian, to the show? Who will my remediation project be aimed at? And are my interpretations of the shows themes, when viewed in the Australian context different from the intentions of the original producers?

Why am I drawn to the show?

In the terms of Jenkins – I guess you could say I was originally introduced to the show by a “Grassroots intermediatory” (Jenkins 2006)

 – My husband who was born and raised in Wales (which is where part of the show Gavin and Stacey is set) and now lives in Australia. He not only keeps up to date with the goings of friends and family at home, but also likes to keep up to date with music, TV shows and news. Gavin and Stacey was a hit in Wales and box sets promptly posted over to us upon release in the UK.

One of the themes of the show is based on the idiosyncrasies of different cultures – that being of the English and the Welsh or to be more precise of Barry in South Wales and Essex in England. I can in some ways relate to the humor based on these idiosyncrasies as I compare my own experiences of living in Wales, being married to a Welsh man and becoming part of a Welsh family and as such also recognize the character traits and stereotypes presented. This would then make me part of what Srinivasan describes as an “imagined community” (Srinivasan 2006) made up of not only U.K. viewers who inherently understand the humor, but also of other cultural outsiders who have joined families from these two parts of the world, and so too can relate the humor based on cultural difference.

I initially chose to remediate Nessa’s storyline due to time constraints but after this weeks topic I think it could also be because I understand the character. She is an over exaggerated welsh stereotype that I can recognize more easily than other stereotypes presented in the show such as Smithy from Essex. I have learnt about Smithy’s stereotype through others telling me about it but can see elements of Nessa’s persona in people that I have met or worked with in the past and as such feel I am better equipped to retell her story than other characters in the show. Nessa also in some ways appeals to my sense of “Pop Cosmopolitanism” (Jenkins 2006)

  - My ties to Wales now see me wanting to keep up with the current affairs of the country, and a lot of Nessa’s stories tie into current day events. Nessas stories are littered with UK pop culture references and to piece them together is something like a treasure hunt.

Who will my remediation project be aimed at?

As an understanding of Nessas stores and humor comes from an understanding of UK popular culture and current media events  - my remediation project will be aimed at those who are not up to speed on such things. Using blog to recreate Nessas little black book (a list of all the people Nessa claims to have had a relationship with throughout the show) allows me to link the real life media stories to the stories Nessa tells. In other words when she claims to have slept with John Prescott I can hyperlink his name to real life press articles about John Prescott – linking the story to the pop culture reference.

This media format also works within the current day context of viewing the show. Gavin and Stacey is no longer being produced – so if one was to watch the show today the pop culture references will all be old, and possibly forgotten even by those residing in the UK – they will be old news so to speak. Therefore the little black book will not only inform those who were out of the loop in the first place, but will refresh the memories of those who are watching or re-watching the series again – appealing to my entire “imagined community” (Srinivasan 2006).

Does this change of context change the meaning?

Having never met the writers and producers of the show I cannot say what the original intention of this part of the story line was, but in creating an online hyperlinked little black book I will not be changing it. I will merely be changing the way in which the story is presented. Time itself has changed the context of this storyline, but the recreation of it in an online media form will bring it back closer to its original time, preserving rather than altering the meaning.

 Jenkins, H. 2006. Pop Cosmopolitanism: Mapping Cultural Flows in an Age of Media Convergence, Fans bloggers and gamers: exploring participatory culture: New York University Press.

Srinivasan, R. 2006. Indigenous, ethnic and cultural articulations of new media. International Journal of Cultural Studies 9: 497. http://ics.sagepub.com/content/9/4/497 (accessed 15/10/11).

2.3 Activity 3: What is an imagined community?

An imagined community is a group of people who are interconnected and bonded by a commonality. They need not have met but in a sense feel tied together through a common circumstance, event or point of view. An imagined community is not bound by geographical location (Srinivasan 2006) but can be influenced by it as a result of globalization:

In the ilecture Dr Jayaprakash described Appadurai’s 5 dimension of globalization as:

Ethnoscapes – the flow of people through immigration, refugees , tourism etc

Technoscapes – rapid movements of technology

Financescape – flow of currency  - markets and stock exchange

Mediascapes – flow of images and information via newspapers, TV, websites etc

Ideascapes – the spread of thought such as the western enlightenment world view - ideas of democracy and freedom etc

 (Jayaprakash 2011)

Imagined communities’ form based on common influences, experiences or attitudes as a result of the global dispersion of information, ideas, images and cultures across national borders.

Jayaprakash, T. 2011. Media across Cultural Boundaries. Week 7: Engaging Media. http://dbs.ilectures.curtin.edu.au/lectopia/lectopia.lasso?-MaxRecords=50&-SkipRecords=0&-Op=bw&ut=2908&CallbackID=928d2167f0cc56656c84409b4f366e45&usr=15055147 (accessed 17/10/11).

Srinivasan, R. 2006. Indigenous, ethnic and cultural articulations of new media. International Journal of Cultural Studies 9: 497. http://ics.sagepub.com/content/9/4/497 (accessed 15/10/11).

Images and Referencing the Remediation project

LINK TO NESSA'S LITTLE BLACK BOOK

In an effort to not infringe copyright, I have created some of my own images for Nessa's little black book

I have uploaded them here so I can link to them in the HTML code in Nessa's blog

THE BLOG DESIGN

 The blog design and the sticky tape frame for my images was created by  Templates Block and is Licenced under creative commons as follows:

"Blogger Template by:

Templates Block - Free Custom Blogger templates for Blogger/blogspot blogs.

http://www.templatesblock.com/

**********************************************************************

License:  This free Blogger template is licensed under the Creative Commons Attribution 3.0 License, which permits both personal and commercial use.

However, to satisfy the 'attribution' clause of the license, you are required to keep the footer links intact which provides due credit to its authors. For more specific details about the license, you may visit the URL below:

http://creativecommons.org/licenses/by/3.0/" (Evo)

This means that can use and alter the template without worrying about copyright so long as I reference the original creator. The acknowledgment is built into the blog design itself (on the bottom right corner) so this part is all done for me.

THE DRAGON IMAGE on NESSA'S A-Z PAGE

I created the image of the Welsh Dragon myself using Photoshop and my own photograph of the welsh flag. The hearts were created in illustrator and added to Photoshop image. The reason I have chosen the image is because it is the flag of Wales and is tattooed on Nessa's arm.

THE PHOTO OF NESSA on NESSA'S HOME PAGE

The photo of Nessa came from The British Comedy Guide website  and its attributed to "Baby Cow Productions". This image will need to be referenced to ensure it doesn't breach copyright law. I am also using a small part of it for the purposes of education so it should be covered under the US terms fair use , the Australian Fair Dealing exceptions and UK Fair Dealing exceptions.

REFERENCING TEXT

I will also need to cite and reference every entry in the blog. Instructions on how to reference episodes of a TV show APA style can be found on the Coats Library website

 

Baby Cow Productions. gavin_stacey_nessa.jpg. http://www.comedy.co.uk/images/library/people/180x200/g/gavin_stacey_nessa.jpg (accessed 10/10/11). 

 Evo, V. Personal Blog. http://btemplates.com/2010/blogger-template-personal-blog/ (accessed 10/10/11).

 

The Ecstasy of Influence: A Plagiarism by Jonathan Lethem

The Ecstasy of Influence might be a good academic text to use in my remediation essay. In in the Lethem discusses artists, authors, singers, songwriters, cartoonists etc who have borrowed from other sources to create their works. Examples given are TV shows like The Simpsons, the surrealist art movement, Shakespeare and Bob Dylan to name a few. Lethem's  point is that today these works would be considered and act of plagiarism and piracy yet are a massive part of our cultural identity. Where would we be without them?

Lethem also speaks of the loss of "public commons" and the "gift economy" meaning - that inspirational work is a gift to those who take inspiration from it - the value is in the thought it generates not in the money it could produce. 

The 10 page essay is then followed by a bout of extreme referencing - 3 pages where the Lethem has tried to reference every single thought he had while writing the article mocking yet abiding by the extreme rules that govern how we express our thoughts.

 Favorite Quotes

•  "If nostalgic cartoonists had never borrowed from Fritz the Cat, there would be no Ren & Stimpy Show; .... If those don't strike you as essential losses, then consider the remarkable series of "plagiarisms" that links Ovid's "Pyramus and Thisbe" with Shakespeare's Romeo and Juliet and Leonard Bernstein's West Side Story, .... If these are examples of plagiarism, then we want
  more plagiarism" (Lethem 2007)

• "The distinctive feature of modern American copyright law is its almost limitless bloating-its expansion in both scope and duration. With no registration requirement, every creative act in a tangible medium is now subject to copyright protection: your email to your child or your child's finger painting, both are automatically protected." (Lethem 2007)

• "And artists, or their heirs, who fall into the trap of attacking the collagists and satirists and digital samplers of their work are attacking the next generation of creators for the crime of being influenced, for the crime of responding with the same mixture of intoxication, resentment, lust, and glee that characterizes all artistic successors. By doing so they make the world smaller, betraying what seems to me the primary motivation for participating in the world of culture in the first place: to make the world larger." (Lethem 2007)
  
  
  
  Lethem, J. 2007. The Ecstasy of Influence, A plagiarism by Jonathan Lethem. Harper's Magazine February 2007. http://harpers.org/archive/2007/02/0081387 (accessed 12/10/11).